The second printing is on white paper, and has varying shades of lighter blues, greens, and olive greens. Some of these stamps can be confused with the 1 real from the same printed, which is also found in shades of green and olive green. The first specimen below is a CORRFOS plate variety from the top of the sheet. Stamps along the edge of the plate for the half real show damaged outer lines because the plate edge tended to wear out. Quick links: main page / 1855 Blue Paper / 1855 White Paper / 1856 / 1857-61 Dirty Plate / Postal Forgeries / Plate Varieties main page : CORRFOS / CORRFOS detailed image / Early line breaks / Late line breaks / Plate Wear / 1862 Cleaned Plate / Replacement die

1855 White Paper Printing

Information about the stamps in this issue may be found in the following articles (including the present one):

1: The Color Varieties of the Cuba 1855 1/2 Real: A brief look at the bluish and white paper color varieties.

36 (Postal History Part 1): Some of these stamps were also used in other Spanish Colonies; only the Cuban usages are discussed here, with the exception of one cover used in Puerto Rico. This article is divided into three major sections:
1. Covers with the 1855 and 1856 Baeza postmarks.
2. Covers with smaller postmarks of varying design.
3. Covers from the 1860s with the small, and final postmarks.
A very interesting characteristic of postal history before the invention of the envelope is that the letter is almost always preserved with the cover. I find no better way to place these stamps in their times than to include a family letter from 1856 with a poignant and interesting tale.

46 (Postal History Part 2): In yet another installment of the postal history of this issue, I show the basic cancellers, and focus on some covers from the ramirez y oro correspondence, including a postal forgery on cover, bayamo Baeza postmarks, and cauto region modified Baeza postmarks.

51 (Cuba "I Griega" or the first Havana local issue): Quick links here are for a page showing side-by-side the three carmine red specimens and the single orange specimen I have that I consider genuine. Each of the specimens also has its own page that enables to show the overprint under higher magnification: carmine red specimen 1, pictured below, bears a Habana circular postmark, and there are also carmine red specimen 2, and carmine red specimen 3, as well as a dedicated page for the orange specimen pictured here. I also include a filtered image of the overprint, and a page dedicated to forgeries, one dangerous, and one crude.

64 (The 2 Reales Values): Here are quick links to this article: the main page / 1855 First Printing: bluish paper, watermark loops / 1855 First Printing Blocks ( 1 / 2 / 3 / 4 ) / 1855 First Printing with forged postmark / 1855 Second Printing: white paper, watermark loops / 1855 Second Printing blocks ( 1 / 2 ) / 1855 Second Printing paper and watermark / 1856, watermark crossed lines / 1857 First Printing Orange, clean plate / 1857 Second Printing Rust Red, worn plate / 1857 Third Printing Rust Red, bleached plate / 1857 Third Plinting block of eight

136: Cuba 1855-1863 Half Real I have previously shown the color varieties of the 1855 half real. I expand here by adding some larger images for the 1855 printings, and many more from the later printings, including many plate varieties. Quick links: main page / 1855 Blue Paper / 1855 White Paper / 1856 / 1857-61 Dirty Plate / Postal Forgeries / Plate Varieties main page : CORRFOS / CORRFOS detailed image / Early line breaks / Late line breaks / Plate Wear / 1862 Cleaned Plate

193: Cuba First Issue 1 Real Value This is the last article in this round of Cuba First Issue articles. Quick links: 1855 on blue paper / 1855 on white paper / 1856 dirty printing (lemon) / 1856 clean printing (emerald) / 1857 early and worn impression / 1862 cleaned plates / blocks with pen cancel / postal forgery