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Article 46: Postal History of the Cuba First Issue

Here are three covers with Bayamo postmarks from the Ramirez y Oro correspondence. I show the basic cancellers, and focus on some covers from the ramirez y oro correspondence, including a postal forgery on cover, bayamo Baeza postmarks, and cauto region modified Baeza postmarks.

The cover below is from February 1859 and bears an olive green Bayamo Baeza postmark. Below is a highlight of the postmark.

The cover below is from May 1861 and bears a black Bayamo Baeza postmark. Below is a highlight of the postmark.

The cover below is from December, most likely 1862 or 1863, and bears a black small circular Bayamo postmark. Below is a highlight of the postmark.

Information about the stamps in this issue may be found in the following articles (including the present one):

1: The Color Varieties of the Cuba 1855 1/2 Real: A brief look at the bluish and white paper color varieties.

36 (Postal History Part 1): Some of these stamps were also used in other Spanish Colonies; only the Cuban usages are discussed here, with the exception of one cover used in Puerto Rico. This article is divided into three major sections:
1. Covers with the 1855 and 1856 Baeza postmarks.
2. Covers with smaller postmarks of varying design.
3. Covers from the 1860s with the small, and final postmarks.
A very interesting characteristic of postal history before the invention of the envelope is that the letter is almost always preserved with the cover. I find no better way to place these stamps in their times than to include a family letter from 1856 with a poignant and interesting tale.

46 (Postal History Part 2): In yet another installment of the postal history of this issue, I show the basic cancellers, and focus on some covers from the ramirez y oro correspondence, including a postal forgery on cover, bayamo Baeza postmarks, and cauto region modified Baeza postmarks.

51 (Cuba "I Griega" or the first Havana local issue): Quick links here are for a page showing side-by-side the three carmine red specimens and the single orange specimen I have that I consider genuine. Each of the specimens also has its own page that enables to show the overprint under higher magnification: carmine red specimen 1, pictured below, bears a Habana circular postmark, and there are also carmine red specimen 2, and carmine red specimen 3, as well as a dedicated page for the orange specimen pictured here. I also include a filtered image of the overprint, and a page dedicated to forgeries, one dangerous, and one crude.

64 (The 2 Reales Values): Here are quick links to this article: the main page / 1855 First Printing: bluish paper, watermark loops / 1855 First Printing Blocks ( 1 / 2 / 3 / 4 ) / 1855 First Printing with forged postmark / 1855 Second Printing: white paper, watermark loops / 1855 Second Printing blocks ( 1 / 2 ) / 1855 Second Printing paper and watermark / 1856, watermark crossed lines / 1857 First Printing Orange, clean plate / 1857 Second Printing Rust Red, worn plate / 1857 Third Printing Rust Red, bleached plate / 1857 Third Plinting block of eight

136: Cuba 1855-1863 Half Real I have previously shown the color varieties of the 1855 half real. I expand here by adding some larger images for the 1855 printings, and many more from the later printings, including many plate varieties. Quick links: main page / 1855 Blue Paper / 1855 White Paper / 1856 / 1857-61 Dirty Plate / Postal Forgeries / Plate Varieties main page : CORRFOS / CORRFOS detailed image / Early line breaks / Late line breaks / Plate Wear / 1862 Cleaned Plate

193: Cuba First Issue 1 Real ValueThis is the last article in this round of Cuba First Issue articles. Quick links: 1855 on blue paper / 1855 on white paper / 1856 dirty printing (lemon) / 1856 clean printing (emerald) / 1857 early and worn impression / 1862 cleaned plates / blocks with pen cancel / postal forgery

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